One of the disturbing facts of history is that so many civilizations collapse. Few people, however, least of all our politicians, realize that a primary cause of the collapse of those societies has been the destruction of the environmental resources on which they depended. Fewer still appreciate that many of those civilizations share a sharp curve of decline. Indeed, a society's demise may begin only a decade or two after it reaches its peak population, wealth, and power.
December 2004 Archives
Chris Weitz resigns as director of His Dark Materials. His being able to admit that he's not the right director to get this done is admirable, I have to say.
Forget where I got this from, but it's definitely something for the bookmarks: Online Etymology.
Brief review: my, what a joyful noise that was. If you have the chance to see them live, do it.
I have an extra ticket for the (sold out!) Arcade Fire show on Sunday night, email me at bill.stilwell <at> gmail.com if'n you're interested.
I find this kind of stuff all kinds of interesting: How We Work:
We're interested in the habits, rituals and small (and occasionally big) methods people and teams use to get their work done. And in the specific anecdotes and the way people describe their own relationship to their own work. Here's a list of some stories and habits.
Choice quote, from J.G. Ballard: "Unless you're disciplined, all you end up with is a lot of empty wine bottles." Marginalia favorite Haruki Murakami takes this to extremes: "He swims and runs daily, and has run marathons in New York, Boston and Sapporo. He is in bed by 9 p.m. and up at 4. 'You need power to be a good writer.'"
I've been excited about the possibilities of the film versions of Philip Pullman's His Dark Materials trilogy (the theatrical production is apparently amazing), but things like this have dampened it significantly:
THE Hollywood adaptation of Philip Pullman’s trilogy His Dark Materials, in which two children do battle with an evil, all-powerful church, is being rewritten to remove anti-religious overtones. Chris Weitz, the director, has horrified fans by announcing that references to the church are likely to be banished in his film. Meanwhile the “Authority”, the weak God figure, will become “any arbitrary establishment that curtails the freedom of the individual”.
The interview this comes from is here. Weitz is in a difficult position, as an anti-religious film would face financing problems, but tearing out one of the core elements of the story could drive away the fanbase, which would certainly make success difficult.
Another bad sign: firing Tom Stoppard.
Maybe I should just hope a Vancouver theatre puts on a production.